The Times Are Changing

On Monday, the Royal Canadian Mint stopped making pennies, and today we find out that we will no longer be able to slide an iron around the Monopoly board. The game piece has been replaced by a cat (LOL).

With its duck dollars, polar bear-emblazoned toonies, and flammable bills, Canada has been messing around with its currency for decades, so the decision on the penny is no real surprise (it’s been planned for a while).

But it’s harder to understand the decision to axe the iron. Monopoly’s been around forever; the references to real places or things are now lost on players; the game is, in essence, a closed system. Messing with it upsets the balance, destroys the illusion of its timelessness, the sense that when you play, you are in a world all its own: Monopolyland.

And to put a cat in there, well that’s just stupid.

Erich Leinsdorf’s Birthday Was Yesterday

Supercilious and exacting, Erich Leinsdorf had a reputation for being a difficult conductor. He believed that there was an ideal interpretation out there for every piece, and the only way to realize it was to follow the score with exacting precision. The quixotic approach didn’t win him many friends.

It’s partly because of his prickly reputation that this clip of Leinsdorf announcing to a Boston Symphony audience that John F. Kennedy had died is so poignant:

WQXR recounted the concert in an article commemorating Leinsdorf’s birthday; yesterday, he would have been 100.

His tenure at the BSO from 1962-1969 made Leinsdorf famous to US audiences, but he also spent eight seasons with the Rochester Philharmonic. No fan of Smugtown, Leinsdorf nonetheless led them in a handful of recordings on Columbia, including Beethoven’s “Eroica,” whose funeral march Leinsdorf and the BSO performed on that fateful day in 1963.

Random Classics has a transfer of the RPO version available to download for free.

Snopes.com: The Easy Way to Save Face on Facebook

I finally became acquainted with Snopes.com over the Thanksgiving weekend. I hope every single person I follow on Facebook gets to know it too, and starts using it too.

Yesterday, a guy I follow on Facebook posted a news report from years ago out of Canada that heralded dichloroacetate as a miracle drug for cancer. The report blamed “the big pharmaceutical companies” for keeping it from the public, and to my Facebook friend, this was another example of “american (sic) capitalist bullshit.”

Checking the story out with a quick Google search, I came across Snopes.com, which set things straight.

And then today, a bevy of Facebook friends posted the same boilerplate statement to declare their ownership over their own content; within minutes, others were posting the Snopes.com entry that explained why this so-called legal talisman was useless.

The next time you’re tempted to post a knee-jerk reaction to something you read on the internet, do yourself a favor and check out Snopes.com first. There’s a fine line between moral outrage and ignorance (and then there’s this, which is all to real).

The New York Times has written about this myth-debunking website, and mention a number of other fact-checking sources.

They Only Sound Like Bumbling Goofs

It never pays to be cranky and sarcastic on social media (unless you’re writing about Chad Kroeger or Justin Bieber; then, all bets are off), which is why I enjoyed reading in the Democrat and Chronicle about what Vidler’s 5 & 10 in East Aurora, NY is doing with its YouTube channel. Here’s a seasonal sampling:
Given the lack of blog activity, it looks as if the store is using its channel as its primary content marketing tool, blasting out awareness through Facebook and good ol’ fashioned PR. This makes perfectly good sense: with limited resources, it pays to focus on one social media outlet, commit to it with regular updates, and make the content distinctive enough so that it is of real value and interest to people.

These videos are wildly entertaining, but even if you find them hokey, you’ll at least get some good product ideas.

Vidler’s are stone-cold social-media ninjas.

Justin Bieber is a Horrible Blight on Canadian History–and an Honored Credit to His Country

Canadians, music lovers, people with souls: this is a truly horrific story.
Was happy to present Justin Bieber with a Diamond Jubilee Medal today.
As stated on his Flickr photostream, Prime Minister Stephen Harper was “happy to present Justin Bieber with a Diamond Jubilee Medal today.”

What’s a Diamond Jubilee Medal, you ask? Allow the Governor General of Canada to explain:

“A new commemorative medal was created to mark the 2012 celebrations of the 60th anniversary of Her Majesty Queen Elizabeth II’s accession to the Throne as Queen of Canada. The Queen Elizabeth II Diamond Jubilee Medal is a tangible way for Canada to honour (sic) Her Majesty for her service to this country. A the same time, it serves to honour (sic) significant contributions and achievements by Canadians.” 

This makes it all clear now. There is really no better way to honor the queen, who has done, and continues to do, so much for Canada from 3,500 miles away. Queen, Justin: you deserve each other.

Who is Matthias Bamert, and Why Does He Have His Own Society?

There’s nothing funnier than Schoenberg:

This video has been kicking around on YouTube for years now, and Alex Ross fills us in on its origins. Apparently, it was the brainchild of WCLV radio host Robert Conrad, who conceived it as an April Fool’s joke in 1977 along with Cleveland Orchestra conductors Kenneth Jean and Matthias Bamert, who conducts music by Debussy this weekend with the Rochester Philharmonic:

The spot was concocted as an April Fool’s joke in 1977. Kenneth Jean, then assistant conductor for the Cleveland Orchestra, wrote the script; Conrad announced it in the style of the K-Tel ads that were everywhere at the time; and Matthias Bamert, then resident conductor in Cleveland, participated in the production. 

You might not know it to look at him, but Bamert’s quit the cut up. In a recent Democrat and Chronicle article, Stuart Low tells us about a rather unusual, pugilistically themed music video for Gershwin’s Concerto in F that Bamert appeared in, and the conductor himself gives us his children’s stock response to the question of whether they’ve followed in their father’s professional footsteps: “No,” they reply, according to Bamert, “we’re normal.”